Using Tamron's 24-70mm For Interior Photography

ePHOTOzine reviewed Tamron's SP 24-70mm f/2.8 Di VC USD lens earlier in the year and the optical performance broke out of the top of the graph where the lens quality peaked at the mid aperture range. This is great credit to a lens that has a zoom range of 24-70mm as this sort of quality is usually held by prime (fixed focal length) lenses.

The European Imaging and Sound Association (EISA) awarded the lens EUROPEAN LENS 2012-2013 and said: “It truly feels like a professional lens and also performs like one when autofocus, image stabilisation and image quality is concerned.”

So to have a lens with a wide angle, that's fine for landscapes and interiors, and a short telephoto, that's perfect for portraits, all in one makes this a serious product for the general photographer.

The other thing is this lens has an f/2.8 aperture throughout the zoom range, so this puts it well and truly under the professional photographer's radar too.

Add to this the Ultrasonic Silent Drive and you have a lens that can be used comfortably for nature and photo journalism or in interiors and quiet places where silence is often of the essence.

And if that's not enough, consider a Vibration Compensation (VC) system to keep the lens steady so you can shoot sharper photos hand held and you have a lens that is capable of delivering stunning results in more difficult lighting conditions.

As EISA stated - it's “A lens to rely on, whether you are photographing for a living or simply for pleasure.”

Comments from members at the end of the ePHOTOzine review suggest that VC is a waste of time on a lens of this focal length range. Well that's untrue. Photographers may have read that VC is only necessary on lenses with long focal lengths - telephotos and tele zooms, but camera shake will occur on any lens in low light conditions. So if you wanted to use this lens for travel photography you could continue shooting in the Marrakesh souk when other photographers have packed up, thanks to the wide aperture and the four stops assistance from the VC. With this lens it's much easier to shoot at speeds as low as 1/2 second and get sharp results.

And to prove this fact and test out the lens' ability to record straight lines and shoot wide open we took it to Lincoln Cathedral and spent a few hours shooting from different viewpoints.

First, let's see the VC in action:

This shot of a bookcase was taken with the lens hand-held at 70mm. The camera's ISO was set at 800 and the lens aperture was f/5.6, resulting in a 1/13sec shutter speed. The left photo is the result with VC switched off and the right is the same scene with VC switched on. From a distance both seem ok, but when you magnify, as you would if you wanted to make a larger print for the wall, you can see the blur caused by camera shake. And as you see VC really does help.

Tamron 24-70mm VC Test - without VC	Tamron 24-70mm VC Test with VC
Tamron 24-70mm VC Test - cropped without VC	Tamron 24-70mm VC Test  - cropped with VC

Interior photography is often a challenge. Light conditions are never perfect and you usually have to raise ISO or employ a tripod. The problem with many buildings is tripods are not allowed and photography is sometimes seen as intrusive. National Trust / English Heritage properties and Stately Homes trusts don't like you wandering around with a backpack full of camera gear, so you're often asked to leave that behind. Imagine if you had a bag full of lenses! Which would you take with you? The 24-70mm is all you need and with its f/2.8 aperture and VC system means you could leave the tripod at home too.

We used a Nikon D200 which starts to struggle when you go beyond ISO400 and in Lincoln Cathedral speeds were in the 1/2 to 1/15sec range. A perfect opportunity to put the 28-70mm's VC system to the test.

The lens has a switch on the side to turn VC on and off. If you use a tripod you turn VC off as it's not needed. In the on position you will see the image float slightly in the viewfinder. This Tamron lens uses a special mechanism to detect movement and adjust the internal VC lens element in smooth unison with the movement, so the image stays at a fixed point when it reaches the sensor.




The Tamron SP 24-70mm f/2.8 Di VC USD can be used on full frame cameras such as the Nikon D700, but is equally at home with a standard smaller DX sensor camera like the Nikon D200 used here. It's available in Nikon and Canon mounts – and a version without VC is available for Sony / Minolta users.

Tamron 24-70mm compared with the camera brands

Model	Close Focus	Filter size	Length	Diameter	Weight	Blades
Canon 24-70mm	0.38m	77mm	123.5mm	83.2mm	950g	8
Nikon 24-70mm	0.38m	77mm	133mm	83mm	900g	9 (rounded)
Tamron 24-70mm	0.38m	82mm	116.9mm	88.2mm	825g	9 (rounded)
Sony 24-70mm	0.38m	77mm	111mm	83mm	955g	9

Visit Tamron's web site for full details of the 24-70mm and the many other lenses in the Tamron Di range.

See the ePHOTOzine review here: Tamron 24-70mm VC review

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