Intro 2020 New Distributor Of Tokina Cine Lenses
Intro 2020 is now the official UK distributor of Tokina Cine Lenses. The product range currently consists of 2 lenses, with further lenses and cinema filters to follow by the end of the year.
The two lenses currently available are the Tokina 16-28mm T3 and 11-16mm T3 wide-angle zoom lenses which have the following suggested retail prices:
This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR. It has been fully converted to a cinema lens and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. The 16-28mm zoom range offers the freedom to capture a super wide-angle of view of a scene while still maintaining a tight perspective.
The basis for this model is the award winning and world famous ATX 11-16mm PRO DX F/2.8 super wide-angle zoom optics. Not only are these lenses referred to as some of the fastest and sharpest ultra-wide lenses in the world for small format digital cameras, they are also considered to be the best value. The 11-16mm aims to provide the same clarity and value to the cinema application.
The two lenses currently available are the Tokina 16-28mm T3 and 11-16mm T3 wide-angle zoom lenses which have the following suggested retail prices:
- 16-28mm T3 £4200.00 inc VAT
- 11-16mm T3 £1350.00 inc VAT
This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR. It has been fully converted to a cinema lens and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. The 16-28mm zoom range offers the freedom to capture a super wide-angle of view of a scene while still maintaining a tight perspective.
- The 16-28mm has a 56mm large-diameter aspherical element in addition to two more molded-glass aspherical elements within the lens, and three elements of SD (Super-Low Dispersion) glass installed in the rear optical groups.
- Optical design and use of special materials yields high 4K lens construction and control of both spherical and chromatic aberration.
- LDS (Lens Data System) support is possible.
- Durable, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems.
- Common 114mm front diameter for use with a wide variety of matt boxes and accessories.
- Smooth de-clicked curved 9 bladed iris.
- Zoom, focus, and iris marking are on both sides of the lens for easy viewing and more mounting/follow-focus options.
- Mounts to PL, Canon EF
The basis for this model is the award winning and world famous ATX 11-16mm PRO DX F/2.8 super wide-angle zoom optics. Not only are these lenses referred to as some of the fastest and sharpest ultra-wide lenses in the world for small format digital cameras, they are also considered to be the best value. The 11-16mm aims to provide the same clarity and value to the cinema application.
- Proven wide-angle optics have been converted to an 11-16mm T3 cinema lens for use with APS-C, Super 35 and smaller image sensors.
- Two SD (Super-Low Dispersion) glass elements and two aspheric lenses allow our proprietary optical design to achieve excellent contrast.
- 4K image sharpness and well controlled chromatic aberration.
- Durable, compact, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems. The size of this lens adds to its versatility.
- The petal design BH-77A lens hood stays securely in place due to the click-lock mount.
- Mounts to Canon EF, Micro 4/3.
Add your message
Login required
Please login here or if you've not registered, you can register here. Registering is safe, quick and free.
Please login here or if you've not registered, you can register here. Registering is safe, quick and free.
photodo Stats
1102 lenses
428 MTF tests
74 in-depth photodo reviews
100+ users join each day
Help the lens community by reviewing or rating a lens today via our lens search
428 MTF tests
74 in-depth photodo reviews
100+ users join each day
Help the lens community by reviewing or rating a lens today via our lens search
Latest Lens Reviews
- Chinon 28mm f/2.8 Vintage Lens Review
- Canon EF 70-200mm f/4L IS II USM Lens Review
- Samyang AF 85mm f/1.4 EF Review
- Sigma 70mm f/2.8 DG Macro Art Review
- Samyang AF 24mm f/2.8 FE Review
- Meike 50mm f/1.7 Review
- Tamron 70-210mm f/4 Di VC USD Review
- Lensbaby Burnside 35mm f/2.8 Review
- Asahi Super Takumar 50mm f/1.4 Review
- Asahi Super-Multi-Coated Takumar 135mm f/3.5 Review