Chinon 28mm f/2.8 Vintage Lens Review
Chinon 28mm f/2.8 Performance
Centrally, sharpness is very good from open aperture through to f/11. It is still good at f/16, only falling off into softness at f/22.
The edge sharpness is not so good using a test chart, being soft at f/2.8, fair between f/4 and f/5.6, good at f/8 and just fair between f/11 and f/22. This is not as bad as it sounds though, as at more normal shooting distances the results improve and visually the shots look very reasonable.
How to read our MTF chartsThe blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.The scale on the left side is an indication of actual image resolution as LW/PH and is described in detail above. The taller the column, the better the lens performance. For this review, the lens was tested on a Pentax K-1 using Imatest. |
CA (Chromatic Aberration) is very well controlled centrally, but at the edges things do go a little awry. Quite high levels of CA are noticeable, although to be fair not on all subject matter. Reduction of fringing in software could well be needed in many situations.
How to read our CA chartsChromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more. For this review, the lens was tested on a Pentax K-1 using Imatest. |
Distortion measures -1.72% barrel, a figure that is unlikely to be a problem in many situations, but if it is then software solutions may be the answer.
Bokeh is very satisfactory and gives attractive out of focus areas. There is vignetting of some -2.4 stops at f/2.8, reducing to -1.3 stops at f/4 and never really clearing after that but remaining at the same level. The compact design of the lens will be a contributory factor in this. However, a gentle darkening of the corners can often be a desirable thing. At one time it was routine to darken the corners of an image in the darkroom as it concentrates our eyes on the centre of the frame where the main subject is often placed.
Flare control is quite impressive. Severe backlight will create some artefacts, but the contrast level and colour remain good even under arduous conditions.
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